I photographed the India U-17 football team in the run-up to the U-17 Football World Cup being held in India.
The brief was to shoot portraits of the entire team, the coach+support staff and document an entire practice session of the team.
I felt privileged to witness the discipline and determination that professional athletes train with. Even though these boys were on the cusp of adulthood and were still coming to terms with their own prowess and skill, many already had very strong personalities. It was so exciting that one of them may well go on to become the captain of the Indian football team.
This story is featured in the October, 2017 issue. You can read the abridged version here
My project 'Alone, Together' was one of thirty shortlisted entries as part of Fòcas India 2017 - 2018. An exhibition of the thirty artist's work was on display at An Lanntair Arts Centre, Stornoway, Scotland as part of Purvai Festival from Monday 7th Aug – Friday 29th September.
As part of the shortlisted group, I was interviewed by Fòcas Programme Director Katherine Parhar. You can read the full text of the interview here.
Attached are a few pictures from the exhibition.
This was my third assignment this year for Silk Air's inflight magazine. I travelled to Ooty and Coonoor to photograph a story on how the Blue mountain towns are the idea weekend getaway. You can read the whole story on Pg. 16 of the magazine October issue.
This assignment was for Silkwinds magazine - the inflight magazine for Silk Air. For it, I had to document the evolution of Bangalore's traditional coffee culture. Starting with the old world favourites serving the traditional frothy filter coffee, I made my way to new age coffee roasters serving cold brews and nitro coffee. You can read the whole story on pg. 19 of the print edition.
This image was taken at the Dasawamedh ghat (bank) in Varanasi. Every evening, pilgrims gather in their hundreds to pay reverence to the River Ganga at the spectacular puja that happens at this important Ghat. Once the evening puja is finished, the activity at this Ghat slows down, that is until Michael and his friends gather at the well-lit Ghat for their nightly game of cricket. For a couple of hours this most unlikely of sporting arenas becomes a cricketing amphitheatre. As is the case with tens of thousands of cricket games played in the streets of India, everything is improvised, starting from the ball they use to the boundaries of the field of play, the wickets and sometimes even their bats. Because they don’t have a lot of space to play with, they use a very light but tough plastic ball that does not travel a great distance despite the effort that Michael and his friends put into each swing. Also, playing by a riverbank means they need to come equipped with plenty of spare plastic balls, everyday they would lose a couple of them to the Ganga. This particular day however, they got lucky. One of their lusty blows conveniently landed in a nearby tethered boat. The same boats that ferry pilgrims and tourists to the various bank of the holy city during the day. I took this picture when Michael volunteered to retrieve that ball.
A couple of images I made for a workshop conducted by the British Council in 2013. We were mentored by the amazing British portrait photographer Suki Dhanda whose infectious energy fuelled the week-long workshop. The work culminated in an exhibition at 1 Shanti Road in Bangalore and later travelled to galleries at British Council venues in Delhi and Mumbai.
A couple of images that I shot in collaboration with blogger Smrithi Rao. The shoot was commissioned by Homegrown.in for Nike.
We met this multi-faceted lady in a small hamlet near Dindigul, TN. Shantamma used to be a handloom sari weaver by profession and spent over 8 hours on the loom, everyday for over 30 years.
Even in her childhood (she started weaving while she was still in school) she had a knack for weaving complicated designs that require a lot of effort and strength. She enjoyed challenging her male counterparts in this regard and she was entrusted to weave Sari designs that were traditionally woven by men. Diabetes has made it impossible for her to sit in one position for long hours and she is now retired from weaving.
Weaving is not the only thing that interests her. She also has a deep passion for politics and thinks that those in power should use the opportunity to perform social service and help the community. She herself stood for panchayat elections in the late 90's and won the election. It was during her term as Panchayat head that a tar road was built to connect her hamlet to the highway leading to Dindigul.
Another one of her accomplishments that she is really proud of , is helping fund the construction of the 'gopuram' or tower for the local temple. For many years the temple in her neighbourhood was without a gopuram. Shantamma and a few lady weavers from the village decided to do something about. Everyday, after they finished weaving, they would catch the bus to Dindigul town and walk from door to door collecting donations for construction of the gopuram. In 6 months, they had collected enough and their local temple now has a gopuram.
The following images were commissioned by a Chennai based fitness company called Movement Inc. Their website - 'MealMapper' generates personalized nutrition recommendations based on an individual's height, weight, activity levels and food preferences using the science of portion control.
The St+Art India team commissioned me to shoot the Bangalore edition of their adventure in October, 2016. The following pictures are a brief edit I put together from that exciting fortnight.
These images were commissioned by Subbacultcha - an alternative music magazine based in Belgium and were featured in their February, 2016 issue accompanying an interview of the artist Aïsha Devi. The images were made in Malleshwaram, considered one of the last vestiges of what is called the 'old-Bangalore' charm.
Purushottam came up to me on street and asked me to take his picture, I was sceptical. He invited me to his house, right by the side of the road we were standing on. His aunt was home, his mother’s older sister.
She is a sweeper, the BBMP pays her Rs. 1000 per month to sweep 2 streets from end to end. To augment her income she is the caretaker of a public bathroom which is the building adjacent to her house.
Their house could at best be described as a makeshift arrangement, haphazardly put together with loose and uneven brick. One strong push and the wall would have collapsed. When we entered the dingy room, she asked Purushottam to ‘get the bulb’ (they own one bulb that they interchange between different parts of their living area as the need arises). Once there was light, she told me a few stories of how she raised her 4 children in this house (more of a room) that was no more than 4 paces x 6. “When it rains, the roof leaks…we go across the street to sleep in the neighbor’s shop” she said.
We stepped outside into their 'backyard’ - a small tract of unoccupied government land, covered with weeds. A couple of his friends came by and saw Purushottam being photographed, he gave them a big grin. He said his favorite subject in school was Kannada and that he would like the opportunity to learn more languages. The whole time he was talking to me, he never stopped playing with his stole.
His Aunt hesitatingly asked Purushottam in Telegu to tell me to take a picture of her, holding a broom. When I asked her why, she said : “This is the source of my livelihood - we get to eat because of the broom, it helped me send my son to college.”
Purushottam asked me if I would like to see the Art School next door. On our way there, he informed me that he sweeps the school twice a day - before and after his own school timings. The art school pays his mother Rs. 3000/- for his work. I asked him what he wanted to be when he grows up - “a police officer, so that I can arrest everyone”, “Everyone ?” I asked him “people who do bad things” he added as an after-thought.